The seventeenth studio album by Frank Zappa and The Mothers of Invention : Over-Nite Sensation

catalog viniluri

Over-Nite Sensation is the seventeenth studio album by Frank Zappa and The Mothers of Invention. Released on September 7, 1973, it was followed by Zappa’s solo album Apostrophe (‘) (1974), which was recorded during the same sessions. This is Official Release #17

Much of the album’s lyrics deal with sex.[1][2] For example, „Dinah-Moe Humm” describes a woman who wagers that the narrator can’t give her an orgasm and is ultimately aroused by watching him have sex with her sister.

On other topics, „I’m the Slime” criticizes television, and the playful and musically adventurous „Montana” describes moving to Montana to grow dental floss.[1]

The music of Over-Nite Sensation draws from rock, jazz and pop music.[2] „Zomby Woof” has been described as a „heavy metalhybrid of Louis Jordan and Fats Waller

Label:Discreet ‎– MS2149
Format:Vinyl, LP, Album, Quadraphonic
Country:US
Released:1974
Genre:Rock

Tracklist

A1 Camarillo Brillo 4:01
A2 I’m The Slime 3:35
A3 Dirty Love 3:00
A4 Fifty-Fifty 6:08
B1 Zomby Woof 5:11
B2 Dinah-Mo Humm 6:05
B3 Montana 6:37

Credits

Fusion of rock and roll and rhythm and blues, which they dubbed „rock and soul” Daryl Hall & John Oates ‎– No Goodbyes, Abandoned Luncheonette & Rock ‘N Soul Part 1

Daryl Hall and John Oates, known more commonly as Hall & Oates, are an American musical duo from Philadelphia.

Daryl Hall is generally the lead vocalist of the pairing, and also plays a wide range of musical instruments. John Oatesalso plays a range of instruments, but primarily plays electric guitar and provides backing vocals as well as occasional leads. The two also write most of the songs they perform, either separately or in collaboration. They achieved their greatest fame from the late 1970s to the mid-1980s with a fusion of rock and roll and rhythm and blues, which they dubbed „rock and soul”. Critics Stephen Thomas Erlewine and J. Scott McClintock write,[1] „at their best, Hall & Oates’ songs were filled with strong hooks and melodies that adhered to soul traditions without being a slave to them by incorporating elements of new wave.” While much of their reputation is due to the sustained pop-chart run in the 1980s, they continue to record and tour, and remain respected by various artists for their ability to cross stylistic boundaries.

Hall and Oates have sold an estimated 40 million records which makes them the second best-selling duo of all time.The Carpenters hold the top record with 150 million records sold.[citation needed]

They are best known for their six No. 1 hits on the Billboard Hot 100: „Rich Girl„, „Kiss on My List„, „Private Eyes„, „I Can’t Go for That (No Can Do)„, „Maneater„, and „Out of Touch„, as well as many other songs which charted in theTop 40. In total, they had 34 chart hits on the US Billboard Hot 100, seven RIAA platinum albums, and six RIAA gold albums.[2] Because of that chart success, Billboard magazine named them the most successful duo of the rock era, surpassing The Everly Brothers.

In 2003, Hall and Oates were inducted into the Songwriters Hall of Fame. Billboard magazine had Hall & Oates at No. 15 on their list of the 100 greatest artists of all time and the No. 1 duo,[3] while VH1 placed the duo as No. 99 on their list of the 100 greatest artists of all time. They were inducted into the Rock and Roll Hall of Fame in April 2014.[4

Year:1983
Notes:
Note: Many of these tracks are single edits (as opposed to the full album versions), but aren’t noted as such.

Tracklist

Say It Isn’t So 4:17
Sara Smile 3:07
She’s Gone 3:24
Rich Girl 2:23
Kiss On My List 3:48
You Make My Dreams 3:10
Private Eyes 3:29
Adult Education 5:22
I Can’t Go For That (No Can Do) 3:39
Maneater 4:34
One On One 3:53
Wait For Me (Live Version)
Label:
Atlantic ‎– SD 18213
Format:
Vinyl, LP, Compilation
Country:
Released:
Genre:
Style:

TracklistHide Credits

A1 It’s Uncanny

Producer – Arif Mardin, Daryl Hall & John OatesWritten-By – Daryl Hall

3:43
A2 I Want To Know You For A Long Time

Producer – Arif Mardin, Daryl Hall & John OatesWritten-By – Daryl Hall

3:17
A3 Can’t Stop The Music (He Played It Much Too Long)

Producer, Engineer, Supervised By – Todd RundgrenWritten-By – John Oates

2:49
A4 Love You Like A Brother

Producer – Arif MardinProducer, Written-By – Daryl Hall & John Oates

3:20
A5 Las Vegas Turnaround (The Stewardess Song)

Producer – Arif MardinProducer [Assistant] – Chris BondWritten-By – John Oates

2:57
B1 She’s Gone

Producer – Arif MardinProducer [Assistant] – Chris BondWritten-By – Daryl Hall & John Oates

5:15
B2 Lilly (Are You Happy)

Producer – Arif MardinWritten-By – Daryl Hall & John Oates

4:10
B3 When The Morning Comes

Producer – Arif MardinProducer [Assistant] – Chris BondWritten-By – Daryl Hall

3:12
B4 Beanie G. And The Rose Tattoo

Producer, Engineer, Supervised By – Todd RundgrenWritten-By – Daryl Hall

3:00
B5 70’s Scenario

Producer, Engineer, Supervised By – Todd RundgrenWritten-By – Daryl Hall

3:57

Companies, etc.

Credits

Genre:Rock
Year:1973

Tracklist

When The Morning Comes 3:12
Had I Known You Better Then 3:22
Las Vegas Turnaround (The Stewardess Song) 2:57
She’s Gone 5:15
I’m Just A Kid (Don’t Make Me Feel Like A Man) 3:20
Abandoned Luncheonette 3:55
Lady Rain 4:26
Laughing Boy 3:30
Everytime I Look At You

A celebration of music that blends progressive rock with jazz rock in : Jeff Beck With The Jan Hammer Group ‎– Live

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Jeff Beck with the Jan Hammer Group Live is a live album by Jeff Beck, released in 1977 on Epic Records.
  • Jeff Beck – guitar, bass guitar, special effects.

The Jan Hammer Group

  • Jan Hammer – Moog and Oberheim synthesizers, electric piano, timbales, and lead vocal on „Earth (Still Our Only Home)”.
  • Tony „Thunder” Smith – drums, lead vocal on „Full Moon Boogie”.
  • Fernando Saunders – bass, rhythm guitar on „She’s A Woman” and vocal harmony.
  • Steve Kindler – violin, string synthesizer on „Darkness” and rhythm guitar on „Blue Wind”.

Recording info

No precise dates and locations are given for the live recordings. The tour began in June 1976 and ended in February 1977, with 117 shows performed.

A&R man Tom Werman suggests[2] that the date at the Astor Theater in Reading, PA (31 August 1976) yielded the best performances, and was going to provide the bulk of the album at the time of his involvement in the project. Beck mixed this along with other recordings at Allen Toussaint’s studio in New Orleans.

Then Jan Hammer decided to mix the album himself, and did so with Dennis Weinreich at Scorpio Sound Studios in London, England.

The stereo spectrum of this album duplicates the stage set-up with guitar positioned center right, keyboards center left, violin right and drums and bass center.

Label:Nemperor Records ‎– NE 50 361
Format:Vinyl, LP, Album
Country:Germany
Released:1977
Genre:Jazz, Rock

Tracklist

A1 Freeway Jam 7:22
A2 Earth (Still Our Only Home) 4:38
A3 She’s A Woman 4:26
A4 Full Moon Boogie 6:10
B1 Darkness/Earth In Search Of A Sun 7:52
B2 Scatterbrain 7:26
B3 Blue Wind 5:47

Credits

Notes

Recorded live and remixed at Scorpio Sound Studios, London, England.

A distinctive sound that has been lauded by many critics and their music are incorporate elements of punk, jazz, funk, ska, reggae and even tribal world music, such as afrobeat : Pigbag ‎– Dr Heckle And Mr Jive

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Pigbag were a British post-punk band, active from 1980 to 1983.

Although never hugely commercially successful, Pigbag had a distinctive sound that has been lauded by many critics over the years since their demise.[citation needed] Members of the band went on to record with many other bands, some still active today. Their career took place during the huge mushrooming and cross-pollination of genres that followed thepunk movement, and their music can be said to incorporate elements of punk, jazz, funk, ska, reggae and even tribal world music, such as afrobeat, all accompanied with undeniable pop sensibility. Pigbag’s influence can be heard today in the more funk-influenced percussive side of the post-punk revival, in such bands as !!! and LCD Soundsystem.

Their single „Papa’s Got a Brand New Pigbag” has entered mainstream consciousness, and is considered a classic pop hit of its era. It is removed somewhat from the rest of the band’s career, to the effect that Pigbag are sometimes considered one-hit wonders. It has been used extensively as soundtrack music and at sporting events, particularly byMiddlesbrough Football Club and Queens Park Rangers, and is still a popular dance record in clubs. In 2003, an anthem row erupted before a play-off final at the Millennium Stadium in Cardiff between Cardiff and Queens Park Rangers. Eventually neither God Save the Queen or Hen Wlad Fy Nhadau were played and the clubs could choose their own song. Cardiff opted for Men of Harlech, while QPR went for Papa’s Got A Brand New Pigbag.[1]

The track has been covered by several other artists. It featured on the soundtrack of the 2006 film of Alan Bennet’s The History Boys. English group, Madness, have included a cover version of the song in their live set on occasions.[2]

In Canada, the song was used as the theme for The NewMusic, a music newsmagazine show for over 25 years, first in its original recording, then re-recorded by other artists.[citation needed]

Label:Stiff Records ‎– TEES 103
Format:Vinyl, LP
Country:US
Released:1982
Genre:Jazz, Rock

Tracklist

A1 Getting Up
A2 Big Bag
A3 Dozo Don
A4 Brian The Snail
B1 Wiggling
B2 Brazil Nuts
B3 Orangutango
B4 As It Will Be

Credits

Notes

Recorded at Berry Street 1981
©, [P] 1982 Y Records

Inner sleeve contains album notes, graphics, and photos.

Wonderfully fluid ensemble sound in : Steely Dan ‎– Pretzel Logic

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Catalog-August

Pretzel Logic is the third studio album by the American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was written by principal band members Walter Becker and Donald Fagen. They recorded the album at The Village Recorder in West Los Angeles with producer Gary Katz and prominent Los Angeles-based studio musicians.

The album was a commercial and critical success upon its release. Its hit single „Rikki Don’t Lose That Number” helped restore Steely Dan’s radio presence after the disappointing performance of their 1973 album Countdown to Ecstasy. Pretzel Logic was reissued in 1999 to retrospective acclaim from critics

Pretzel Logic was released by ABC Records on February 20, 1974,[14] to high sales.[9] It charted at number eight on the Billboard 200and became Steely Dan’s third gold-certified album.[15] After the disappointing performance of Countdown to Ecstasy, the album restored their radio presence with the single „Rikki Don’t Lose That Number”,[16] which became the biggest pop hit of their career and peaked at number four on the Billboard Hot 100.[17] On September 7, 1993, Pretzel Logic was certified platinum by the Recording Industry Association of America (RIAA), having shipped one million copies in the United States.[14]

Pretzel Logic was praised by contemporary music critics.[9] Bud Scoppa from Rolling Stone magazine found the album’s  unprecedented in popular music and said that the ambiguous lyrics „create an emotionally charged atmosphere, and the best are quite affecting.”[5] Down Beat asserted that „there are no better rock recording groups in America, and damn few worldwide.”[6] Christgau originally gave Pretzel Logic an „A–” in his review for Cream and found it innovative: „The music can be called jazzy without implying an insult, and Donald Fagen and Walter Becker are the real world’s answer to Robert Hunter and Jerry Garcia.”[18] In a mixed review, Noel Coppage of Stereo Review was impressed by the music impressive, but said that „the lyrics baffle me; maybe they know what they’re talking about, but I can’t get a clue.”[19]

At the end of 1974, Pretzel Logic was named NME magazine’s album of the year,[20] and it was also voted the second best record of the 1974 in the Pazz & Jop, an annual poll of prominent critics published by The Village Voice.[21] Christgau, the poll’s creator, ranked it number one in his own list.[22] He gave the album an „A+” in a 1981 review, writing that it encapsulated Steely Dan’s „chewy perversity as aptly as its title”, with vocals by Fagen that „seem like the golden mean of pop ensemble singing, stripped of histrionics and displays of technique, almost … sincere, modest.”[11]

In 1994, Pretzel Logic was ranked number 67 in the All Time Top 1000 Albums by writer Colin Larkin.

.

Label:
ABC Records ‎– ABCD-808
Format:
Vinyl, LP, Album, Gatefold
Country:
Released:
Genre:
Style:

TracklistHide Credits

A1 Rikki Don’t Lose That Number 4:30
A2 Night By Night 3:36
A3 Any Major Dude Will Tell You 3:05
A4 Barrytown 3:17
A5 East St. Louis Toodle-oo

Written-By – Bubber Miley, Duke Ellington

2:45
B1 Parker’s Band 2:36
B2 Through With Buzz 1:30
B3 Pretzel Logic 4:28
B4 With A Gun 2:15
B5 Charlie Freak 2:41
B6 Monkey In Your Soul 2:31

Companies etc

Credits

Notes

Gatefold Packaging.
Fuzz box — Courtesy of Valley Sound
Tim Schmit — Courtesy of Epic Records
Engineered at the Village Recorder, West Los Angeles. Overdub and mixdown at Cherokee Sound, Chatsworth, Calif.

All songs pub. by American Broadcasting Music, Inc. (ASCAP) unless otherwise indicated.
American Broadcasting Music, Inc./Red Giant Music, Inc. [A4]
Mills Music, Inc. (ASCAP) [A5]
American Broadcasting Music, Inc./Red Giant Music, Inc. (ASCAP) [B1, B5]
℗ 1974

Watercourse Way is the debut album for Chicago new age band Shadowfax, released in 1976

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catalog viniluri 111

Shadowfax was a new age/electronic musical group formed in Chicago in the early 1970s and best known for their albumsShadowfax and Folksongs for a Nuclear Village. In 1989 they won the Grammy for Best New Age Performance for Folksongs for a Nuclear Village.[1] In 1993, they were nominated for the Grammy for Esperanto.

The group formed in 1972[2] and disbanded after 1995 when Lyricon player and leader Chuck Greenberg died of a heart attack. Having lost their signature sound, Shadowfax’s members went on to other projects.

The group takes its name from Gandalf the Grey‘s horse Shadowfax in J. R. R. Tolkien‘s The Lord of the Rings.

Label:
Passport Records ‎– PPSD 98013
Format:
Vinyl, LP, Album
Country:
Released:
Genre:
Style:

Tracklist

A1 The Shape Of A Word

Written-By – G. Stinson*

7:27
A2 Linear Dance

Written-By – G. Stinson*

5:30
A3 Petite Aubade

Written-By – C.Greenberg*, G. Stinson*

6:06
B1 Book Of Hours

Written-By – D.Maluchnik*

6:39
B2 The Watercourse Way

Written-By – C.Greenberg*, G. Stinson*

5:42
B3 Song For My Brother

Written-By – G. Stinson*

9:53

Companies etc

Credits

Notes

Recorded and mixed at:
„THE HOUSE OF MUSIC”
West Orange, New Jersey
November 1975

Jorge Santana, the brother of Latin-rock guitarist Carlos Santana, and his band :Malo ‎– Dos

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catalog viniluri 111

Malo was an American Latin-tinged rock and roll group. The San Francisco-based ensemble was led by Arcelio Garcia and Jorge Santana, the brother of Latin-rock guitarist, Carlos Santana.

Four of Malo’s original members (Santana, Leo, Garcia, Tellez, and Bean) had previously played in the band, The Malibus. The other three founding members (Abel Zarate, Roy Murray, and Richard Spremich) had played together in the group, Naked Lunch.[1]

Label:Warner Bros. Records ‎– BS 2652
Format:Vinyl, LP, Album, Gatefold
Country:US
Released:1972

TracklistHide Credits

A1 Momotombo

Arranged By [Horns] – Abel Zarate, Tom HarrellWritten-By – A. Zarate*, P. Tellez*

5:06
A2 Oye Mamá

Arranged By [Horns] – Leo RosalesWritten-By – A. Garcia*, L. Rosales*

6:03
A3 I’m For Real

Arranged By [Horns] – Hadley CalimanCongas – George BermudezDrums – Bobby Ramirez (2)Trumpet – Alex RodriguezViolin [Solo] – Jose SantanaWritten-By – A. Garcia*, J. Santana*

6:39
B1 Midnight Thoughts

Arranged By [Horns] – Pablo TellezDrums – Rick QuintanalPercussion – George BermudezWritten-By – P. Tellez*

3:58
B2 Helá

Arranged By [Horns] – Leo RosalesCongas – George BermudezDrums – Leo RosalesVocals [Chant] – Francisco Aquabella*Written-By – A. Garcia*, F. Aquabella*

5:06
B3 Latin Bugaloo

Arranged By [Horns] – Abel Zarate, Tom HarrellCongas – Raul RekowDrums – Richard SpremichTrombone – Mike HeathmanTrumpet – Bill Alwood, Tom PooleWritten-By – A. Zarate*, A. Garcia*

9:31

Companies etc

Credits

The guitar magician : Jeff Beck ‎in Blow By Blow album

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Catalog 4 Mai VINILOTECA (2)

Geoffrey ArnoldJeffBeck (born 24 June 1944) is an English rock guitarist. He is one of the three noted guitarists to have played with The Yardbirds (the other two being Eric Clapton and Jimmy Page). Beck also formed The Jeff Beck Group and Beck, Bogert & Appice.

Much of Beck’s recorded output has been instrumental, with a focus on innovative sound, and his releases have spanned genresranging from blues rock, Hard Rock, jazz fusion, and an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained the sustained commercial success of many of his contemporaries and bandmates.[1][2] Beck appears on albums by Mick Jagger, Tina Turner, Morrissey, Jon Bon Jovi, Malcolm McLaren, Kate Bush, Roger Waters, Donovan, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May, Stanley Clarke and ZZ Top.

He was ranked fifth in Rolling Stone‘s list of the „100 Greatest Guitarists of All Time” and the magazine, upon whose cover Beck hasappeared three times, has described him as „one of the most influential lead guitarists in rock”.[3] He is often called a „guitarist’s guitarist”.[1] Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Instrumental Performance once. In 2014 he received the British Academy’s Ivor Novello Award for Outstanding Contribution to British Music.[4] Beck has been inducted into the Rock and Roll Hall of Fame twice: as a member of the Yardbirds (1992) and as a solo artist (2009).

Label:Epic ‎– EPC 69117
FormatVinyl, LP, Album
Country: Europe
Released:1975
Genre:Jazz, Rock

TracklistHide Credits

A1 You Know What I Mean

Written-By – J. Beck*, M. Middleton*

4:02
A2 She’s A Woman

Written-By – J. Lennon-P. McCartney*

4:28
A3 Constipated Duck

Written-By – J. Beck*

2:50
A4 Air Blower

Written-By – J. Beck*, M. Middleton*, P. Chenn*, R. Bailey*

5:07
A5 Scatterbrain

Written-By – J. Beck*, M. Middleton*

5:30
B1 Cause We’ve Ended As Lovers

Written-By – S. Wonder*

5:51
B2 Thelonius

Written-By – S. Wonder*

3:17
B3 Freeway Jam

Written-By – M. Middleton*

4:57
B4 Diamond Dust

Written-By – B. Holland*

8:24

Credits

Notes

Recorded at AIR Studios, London
An Equator Production

℗ 1975 CBS Inc. / Manufactured by Epic Records / Epic is a trademark of CBS Inc.
Printed in Holland

Liga superiora de blues si jazz : Passport (2) And Les McCann, Philip Catherine, Johnny Griffin, Buddy Guy, Pete York ‎– Doldinger Jubilee ’75

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Klaus Doldinger (born 12 May 1936) is a German saxophonist, especially well known for jazz and as a composer of film music. He was the recipient of 1997’s Bavarian Film Awards (Honorary Award).
Label:Atlantic ‎– ATL 50 186, Atlantic ‎– ATL 50 186 (Y)
Format:Vinyl, LP, Album
Country:Germany
Released:1975
Genre:Jazz
Style:

Tracklist

A1 Compared To What

Soloist – Klaus Doldinger, Philip CatherineSoloist [Vocal] – Les McCannWritten-By – Gene McDaniels*

5:15
A2 Albatros Song

Soloist – Klaus*, Kristian Schultze, Philip*Written-By – Klaus Doldinger

7:30
A3 Abracadabra

Soloist – Curt Cress, Johnny Griffin, Pete YorkWritten-By – Klaus Doldinger

7:30
B1 Jadoo

Soloist – Kristian*, Philip*Soloist [Moog] – Klaus*Written-By – Klaus Doldinger

4:55
B2 I Just Want To Make Love To You

Soloist [Moog] – Klaus*Soloist [Vocal & Guitar] – Buddy GuyWritten-By – Willie Dixon

5:55
B3 Angel Wings

Soloist – Klaus*, Philip*Written-By – Philip Catherine

8:20

Companies etc

Credits

Notes

Issued in a gatefold cover.
1st cat# on back cover, 2nd on center labels

Recorded „live” at Onkel Pö’s Carnegie Hall Hamburg, Germany, on August 28 and 29th 1975/Dierks Recording Mobile.

℗ + © WEA Musik GmbH 1975
A Warner Communication Company
Made in Germany

An Atlantic Recording Distributed by WEA Musik GmbH.

Similar releases:
This release has GEMA / BIEM rights society
This one is with label code

Jazz rock cu Mike Oldfield ” doar” in componenta : Mike Oldfield ‎–” The Consequences Of Indecisions „

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Adevarata poveste a acestui disc :
By the request of Virgin, Pohjola teamed up with Mike Oldfield to record and produce his third solo album, released in 1977 in Finland as Keesojen Lehto (Grove of the Keeso) and in the UK as Mathematician’s Air Display. The album was released, in Germany (1981, album and cassette) and Italy (1987) as simply Mike & Sally Oldfield / Pekka Pohjola. The album was also released in 1981 on the Happy Bird label, in the Netherlands, under the name The Consequences of Indecisions and credited to Oldfield instead of Pohjola. Oldfield was sufficiently impressed with Pohjola, however, to ask him join him on his 1978 tour. As a result Pohjola can also be heard on Oldfield’s live album Exposed, released in 1979.
Label:Happy Bird ‎– 90133
Format
Vinyl, LP, Album
Country:Germany
Released:1981
Genre:Rock
Style:Prog Rock

Tracklist

A1 The Sighted Light

Other [Backgrounds] – Christer Berg

A2 Hands Calming The Water
A3 Mathematical Air Display
The Consequences Of Indecisions
B1.1 Part One: Time Heals All Wounds
B1.2 Part Two: Comfort With A Stranger

Other [Backgrounds] – Christer Berg

B2 False Start

Companies etc

Credits